#Townscaper propelled skin#
#Townscaper propelled portable#

There is both charm and an implicit civic critique in the design submissions for the Kiosk competition prompted by the AJ and its partner Turkishceramics. Corporations own and profit from water issuing from taps, spigots and drinking fountains but, in terms of its own substance and fluid properties, the water flows freely and we drink it freely as its fountainhead bobbles upwards from chunky little spouts.

#Townscaper propelled portable#

Packaged drinking water becomes a Natural™ experience, a portable convenience rather than a basic connection with nature’s visible, and invisible, watercourses.

#Townscaper propelled skin#

That’s not possible with a nipple-tipped bottle of Highland McSpritz, whose polyethylene terephthalate skin crackles like burning twigs in our collaterally branded grip. One typically has to bow slightly to drink from a water fountain, and in those few seconds we take the form of supplicants to the most important life-substance in our physical world whether we’re bond dealers, homeless, job-pulped commuters, or lividly bulked-up xenophobes, we experience, in a modest one-to-one manner, a simple communion with nature. Even if we don’t feel humble as we lean forward, we will surely feel humble as we drink. When we drink from a public water fountain, it’s a humble act. It’s tempting to consign drinking fountains to the category of urban bric-a-brac so loved by that ardent 1960s townscaper and editor of the Architectural Review, Hubert de Cronin Hastings.īut is there, to rework the title of Arundhati Roy’s Booker Prize-winning novel, a god in these small things? Can the gulp factor become as important as the wow factor among planners, architects, and developers hunched over their World Class Mixed-Use Regeneration Design Kits? The momentarily pleasant act of quenching thirst at a fountain might also seem insignificant. I mean the unremarkable kind that are little more than a partially enclosed standpipe surmounted by a small metal bowl and a cobra-headed nozzle, from which water spurts in small, softly lucent arcs. With this new era of creativity, I am thrilled to see the uncharted worlds we have yet to explore.Imagine a simple public drinking fountain. creative directors must adapt their roles to guide the ever-evolving artistic vision and ensure the fusion of art, gaming, and technology continues to enrich our lives. The integration of generative AI art and language library tools will revolutionize the creative landscape, leading to more immersive and emotionally engaging experiences for players. The fusion of art, gaming, and technology promises to elevate our work to new heights, achieving our mission of creating transformative experiences that foster understanding and respect between people.Īs an optimistic futurist, I am watching with interest and helping to build good AI interfaces for artists to generate and compose the next evolutionary leap in experiential design. As these AI systems become even more sophisticated, creative directors will need to expand their roles to encompass not only the development of the game's visual and narrative aspects but also the orchestration of intricate AI systems that bring virtual worlds to life.Īs the founder of SKY FOLK, I am committed to embracing these technological advancements and adapting to the ever-changing landscape of the creative industry. already showcase impressive AI-driven adaptive enemy behavior (Source: ). Also Townscaper is a great procedural generation-based gameĪdvanced AI systems will also enhance in-game AI, enabling the creation of more believable and complex NPCs that adapt to player behavior and evolve throughout the game. A prime example is the AI-assisted art in the indie game Bad North, where procedural generation creates varied, minimalist islands for players to defend (Source: ). Art directors will transition from merely overseeing static visual asset production to curating and guiding a dynamic artistic vision. AI-driven algorithms will enable artists to push the boundaries of visual aesthetics, redefining the artistic process. Today, I'd like to explore the near-future impact of generative AI art and language library tools on art direction, animation, and in-game AI, and how the role of the creative director will shift in the gaming and virtual experience industry.Īrt direction is on the cusp of a creative renaissance, propelled by the innovative power of generative AI art tools. As a multifaceted creative human with deep experience in art, motion, game development, creative direction, R&D, sound, and experience design, I've been fortunate to witness the rapid evolution of the digital creative space from several vantage points.